If you missed Tokyo Police Club’s sold-out Varsity show last Tuesday, you absolutely suck. I’m sorry, but you do.
Here’s a concession prize: Tom Campesinos! of Los Campesinos! remixed a TPC track that will be included on a brand new “Tessellate” 7-inch, as well as the limited edition version of Elephant Shell. The Tessellate 7 inch is only available on tour or through the Saddle Creek online store.
This new music video for Minneapolis’s own White Light Riot’s “Charlatan” follows the band members on a day of eating cereal, walking up stairs, walking down hallways and many more everyday things. That’s just how interesting things get here in the Midwest.
The band is currently working on booking a large cross-country tour. Be on the lookout for a video of them buckling their seat belts, putting on sunglasses and driving to your town in the near-future.
Honeysuckle Weeks has the kind of precision production that makes me lust after bands like The Notwist. Catchy melodies repeated and layered Philip Glass-style loops partnered with hand claps and bouncy rhythms make this one album worth playing twice — if not three times in a row.
Favorite tracks include “1940,” “The Wake Up Song” and “Xavia.” Stream a few tracks here.
Honeysuckle Weeks hits stores May 13th on Nettwerk and the group has a headlining tour that’s skipping Minneapolis (the jerks).
A little birdie told me producer/director pro Shane Nelson is shooting a video for the local band Sick of Sarah tomorrow morning and needs some more extras.
If you’re interested, just show up at the Soap Factory at 7:30 a.m. (yes, a.m.) dressed like you’re ready to rock at a basement show…
If you want to be famous, you better set your alarm clock.
I quite enjoyed We Are Scientists‘ 2005 debut LP, With Love & Squalor (Virgin) with its danceable standbys “Nobody Move, Nobody Get Hurt,” “It’s A Hit,” and “The Great Escape.” And now the Brooklyn indie rock trio have a sophomore follow-up coming out next week on Astralwerks called Brain Thrust Mastery.
Stream a few tracks below.
The Scientists are back and ready to rock. Are you?
I’m spinning the new Fearless Records compilation Punk Goes Crunk today.
It’s the seventh album in the popular “Punk Goes…” series and features all of your favorites. Highlights include Hot Rod Circuit’s take on Snoop’s “Gin and Juice” and My American Heart’s take on “California Love.”
Tracklisting
Put Yo Hood Up (Lil John) - Set Your Goals
Got Your Money (Ol’ Dirty Bastard) - Say Anything
I Wish (Skee-Lo) - The Secret Handshake
Men in Black (Will Smith) - Forever the Sickest Kids
But the more I listen to her U.S. debut, Little Bit EP, the more I understand the appeal of her minimalistic approach to vocalese, the tiny oohs and aahs at just the right, the refusal to screech like Björk being attacked by a swan. All good things, really.
Little Bit is out today, and Lykke Li will be touring North America for the first time this spring on a double headlining bill with fellow Swedes El Perro Del Mar and special guest Anna Ternheim. There aren’t coming to Minneapolis, so don’t get your hopes up, friends.
Her debut album, Youth Novels, has already been released overseas and is sure to be headed across the pond sooner than later.
Colour is DJ Andy Hunter’s third studio album and first release in three years. During that time Hunter’s work appeared in the trailer for “The Matrix: Reloaded,” “The Italian Job,” ABC’s “Alias,” Microsoft commercials and video games, including “Black Hawk Down,” “Burnout Revenge,” “Need For Speed Underground” and “Enter the Matrix.”
His new album on Nettwerk Records is ripe with 12 subtle, driving tracks of mostly midtempo soundscapes. Tracks like “Stars” and “System Error” serve as a perfect soundtrack for an afternoon of creative writing.
San Diego’s Calico Horse tapped musical genius Pall Jenkins of Blackheart Procession to produce their forthcoming release, Mirror, out June 24 on Banter Records.
Here’s the single off that album and also lead singer Emily Neveu’s gorgeous cover of Radiohead’s “Idioteque.”
When he’s not wearing a tablecloth as a shirt, Robert Francis is releasing songwriter downer pop perfectly suited for quiet Sunday afternoons. Here’s his newsish video for “Little Girl” off his debut album, One By One (Aeronaut):
If you dig that, check out “All Of My Trains,” also off 1×1.
Jacksonville, FL quintet Black Kids are putting the final touches on their full-length debut, working a 15-date May tour and then heading back to the UK for a headlining tour of their own.
DJ Logic & Jason Miles’ world-jazz-electronic-funk-compost Global Noize have a new album up mixing up jazz, electronica funk and world music featuring a very impressive cast of contributors: Meshell Ndegeocello, Billy Martin (Medeski, Marin & Wood) , Vernon Reid (Living Colour), John Popper (Blues Traveler) Cyro Baptista (Herbie Hancock), Bernie Worrell (Talking Heads, Parliament Funk), Karl Denson (Karl Denson’s Tiny Universe, Lenny Kravtiz), Christian Scott and more.
This music totally hits the spot on when you’re still at the office at 9 p.m. and are opining for something fresh, upbeat and transcendental.
T Rex, the debut digital EP from Wallpaper is on iTunes today with an exclusive remix only available on iTunes or there’s a limited edition 7″ you can purchase it at the eenie meenie online store and get a FREE digital copy of the EP
Here’s my review: Worst band name ever, but the tunes are snappy.
COACHELLA ORGANIZERS OFFER $10,000 REWARD AND FOUR FESTIVAL TICKETS FOR LIFE IN EXCHANGE FOR THE SAFE RETURN OF THE INFLATABLE PIG THAT ESCAPED DURING SUNDAY HEADLINER ROGER WATERS’ SET
COACHELLA organizers are offering $10,000 and four (4) festival tickets for life in exchange for the safe return of the two-story inflatable pig that broke loose during Roger Waters’ set on the final night (Sunday, April 27) of the 2008 COACHELLA VALLEY MUSIC & ARTS FESTIVAL. The pig escaped and floated into the desert sky just prior to the intermission between Roger Waters’ back-to-back sets–marking the only back-to-back COACHELLA sets by one artist in the critically acclaimed festival’s history.
“I wanted Hollow Man to be a piece that creates a chaotic universe that only really occurs on a desktop, backlit and made of light, and to allow within that universe varying levels of, and glimpses into, intimacy and distance, abstraction and distraction, focus and avoidance. All the things that flash across the conscious mind when you’re trying to work your way through something. The Pixelman became the kind of unconscious; direct, calm and absolute, but ultimately unclear in his direction.
I had the idea that Crush could provide a completely made up universe that references our world but flattens it out and mixes in the turmoil and tumult of emotion; in essence, like the character in the song, overwhelmed, incomplete, emptied out, on repeat.
Crush delivered brilliant ideas which became several roughs, and we worked closely on the ideas, bouncing them off of Chris Bilheimer and a few trusted allies and artists. I was inspired by Douglas Coupland, various websites that invite web experimentation that I discovered with Jacknife Lee, and Eliot’s “The Hollow Men”. It was great fun working with Crush . I think the result is staggering. We are already at work on our next project together.”
Dov Davidoff released his debut album, The Point Is, on Comedy Central Records last week. Dov grew up in a junkyard, lost his virginity at age 12 with a prostitute in Mexico, and quit smoking pot (yet neglects to share that gem with his audience for fear of being booed).
With a slurred Jersey accent and inability to enunciate, Dov sometimes sounds like Rocky after 12 rounds, and his raunchy act is long on filth and short on jokes.